Milan Detela – AUDREY HEPBURN, CAN YOU HEAR THE BUDDHIST DISCIPLE’S BROOM?

Dekleva’s poetic (and essayistic) opus is undoubtedly one of the philosophy-based opuses in contemporary Slovenian lyric poetry. But it is exactly the predictions and the sound and rhythmical abilities of avoiding traps of traditional metaphysics that his alluringly open poetry has is what makes Dekleva Slovenian poetic flag-bearer of the paradox – whether it is the poetic prose form of writing with free-verses lining up into stanzas, or in the strictest rhyming form. Dekleva’s synthesis of fatal inevitability, fine irony, emotional suggestiveness, “sharp-tongued ultimate bi-mindedness” and jazzy sequences keeps narrating a tale on “how long it takes a man to adapt to the miraculous”. The other name for the miraculous is “the will to be”. Astutely, right in his non-conformist paradoxical manner, Dekleva adds: “the will to be here forever and never again”.